Today I want to talk to you about the Futakuchi Onna.
She is a type of Yokai, or monster, from Japan.
The Futakuchi Onna, is, in its most simple description, a woman with two mouths; one in the usual place, the second on the back of her head beneath her hair (you’d get so much hair in your mouth).
The story of the Futakuchi Onna is a simple one, she is created when a woman is starving and marries a miserly husband. Any woman has the potential to become a Futakuchi Onna, as it’s more like a curse or disease than something you are born as.
The most well known story of the Futakuchi Onna is that there was one a miserly man, who could not bare the thought of spending money. He lived alone because of this as he could not stand the idea of how expensive having a wife and family would be. But then one day he met a woman in the woods, magically she didn’t eat anything (diet plan gone wrong?). The miser was thrilled because she would be cheep and took her as his wife.
Over time the miser noticed that his rice was being depleted at an alarming rate. He eventually discovered that it was his wife, the mysterious lady who did not need to eat. Apparently she did eat, just not in the usual way. The miser spied on his wife and watched in horror as when she thought she was alone, her hair parted, revealing a second mouth, then, taking on a will of its own, her hair started shovelling rice into the mouth.
In popular culture
Futakuchi Onna appear often in modern day culture, they pop up in astern media and western and appear across all types of media. From anime such as GeGeGe no Kitaro, to video games like The Last Blade and Pokemon (Mawile), from books like Miss Peregrines Home for Peculiar Children to Youtube with YouTuber Futakuchi_Mana.
Today I want to talk to you about the Nykur.
A Nykur is an Icelandic myth, it usually appers as a horse (kinda, a weird horse). It has a lot of similarities with the Scottish Kelpie.
The Nykur, much like the Kelpie, finds sport in drowning travellers that it lures into mounting it and then runs into water. Its skin is sticky so once the beast is mounted struggling will not free you.
In order to protect yourself you have to engage in Christian practices aka make the sign of the cross against the creature, or in the alternative you can call out the name of the Nykur. Calling its name will send the Nykur away into the water (without the victim), making the sign of the cross will calm the creature so that you can ride it like you would a normal horse.
Legend says that you can tell when a Nykur is around by the sound of cracking ice, which is supposed to be the sound of the creature neighing.
The Nykur, like many water demons, could have been created as a way for parents to warn children away from dangerous bodies of water. They could also have been created as a way for people to make sense of the unexpected behaviour of water.
In todays look at spooky folklore I want to talk about the Wendigo.
The Wendigo has appeared many times in popular culture, with it appearing in countless videogames, books and films. It is also a staple of the Creepypasta genre, popping up in an unexpectedly large amount of stories.
Sometimes in pop culture the Wendigo will be referred to by its name and other times it can be given a new name, or no name at all, but will still have the traits of the Wendigo of myth.
The name, Wendigo, has also been co-opted by the medical industry, Wendigo psychosis is a mental condition in which the sufferer has uncontrollable cravings for human flesh.
But where did this myth come from and what does it entail?
The Wendigo originates in Canada, among the First Nations Algonquin tribes. It appears with a number of tribes, each one differing slightly but all of them describing the same basic appearance and behaviours.
It is often depicted as humanoid in shape, standing unusually tall on two legs and with two arms often ending in human-esk hands with fingers and opposable thumbs. It’s head however is not human at all, it’s head is usually that of a monstrous deer, with antlers and a great deal of exposed bone. Some depictions have the head as being a completely exposed scull, others expose some of the bone and a few have the head covered in fur.
In the stories the origin of the Wendigo differs, for some it was and is a spirit on it’s own and in other stories it is a human who has been possessed by a spirit and warped into a monster.
The Wendigo is said to appear in particularly hard winters, during periods of starvation, scarcity and famine. It embodies all of these things and the malevolent nature that comes out in people during these times. It is strongly associated with cannibalism and greed.
The Wendigo was created by the tribes to explain several things, the most apparent being the change in people during times of scarcity. The idea that men could become possessed by an evil spirit was likely a far more comfortable idea than if your neighbour is desperate enough they might eat you. It offers an explanation of the personality shifts people can undergo when times get hard. But it also serves as encouragement for people to employ moderation in times of scarcity.
Today I want to talk to you about the Aswang.
The Aswang is a creature from the Philippines, or, according to some, it can be a catch all term for a group/type of creature.
Generally Aswangs are thought of as shapeshifters, they look human during the day and tend to portray themselves as mild mannered and feeble (superman vibes?). They will tend to make friends, who are none the wiser.
If you are looking at them as a group then said group can be broken down into, Vampires, the typical beautiful women who drinks blood, but this vampire does so via a long tongue and tends to live in forests rather than graveyards. The Aswang can also be a witch, a vindictive creature fond of curses. The curses tend to cause foreign bodies like rice or bugs to come out of the victims body (grim). Then you have the Viscera Sucker, which feats on organ meat of young or unborn children. Next you have the ghoul, who eats dead people. Lastly, there’s the Werecreature, they can become anything, from a dog or cat to a pig, this version eats pregnant women who have tied up their hair (keeping your hair lose keeps you safe).
The aswang is a creature, or group of creatures, with a lot of variety and because of this it can tap into a lot of different types of fear. However, there are similarities, most of the Aswang prey on women, pregnant women or children. They hide in plain sight either in or close to a village and they trick people into trusting and in some cases even marrying them.
They play into the intrinsic fears we have, especially the werecreature who can become a threatening animal. But they also play into the more esoteric fears we have around women and pregnancy. Pregnancy is risky, even today women and children can be lost to a complication and the Aswang could easily have been a cultures way to explain those losses in a way we can understand. Like most stories and myths they are created to help us understand the world, monsters are made to make the world less frightening, to make it make sense.
The Aswang also plays up to our fear of being bamboozled, they hide in plain sight, they get us to trust them only for them to betray us and harm the community. This is almost a societal tension, mistrust of outsiders, fear that those around us aren’t being honest with us, are hiding something or are more than they seem.
As said above, Aswang were probably created to explain death and injury, particularly to children and pregnant women. They were created to help us explain and understand tragedy. But they were also created to give us a sense of control. There are various countermeasures that can be taken to keep the Aswang at bay, there are various holy objects and behaviours that can be used to fend these creatures off, prevent miscarriage and protect the village.
Today’s real-world horror will be taking a look at creature from Slavic mythos, the Drekavac.
This creature differs depending on who is doing the telling, and where they are from but fundamentally Drekavac are little dead people who jump on the backs of living people and tell them predictions, usually cheerful predictions about their deaths and the deaths of their loved ones and, oddly enough, farm animals. Though I suppose back in the day if your farm animals died then you died so that was an epic deal.
Black Agnes, also known as Black Annis, is effectively a witch or a hag. She is said to roam the lands around Leicestershire and eat kiddies. She apparently lives in a cave with a large oak tree at the entrance (so if you see one avoid it).
The stories say she ventures out at night eating kiddies and little lambs. Once she has eaten the child or lamb she’ll turn the skin to leather and wear it.
Many accounts talk about her having iron claws which she would use to snatch children (although sometimes she was known to snack on an adult). She used these claws to make her cave (that must have taken ages).
There are a few odd traditions around Black Agnes, including building small windows to keep her out, hanging herbs to keep her out and dragging a dead cat covered in aniseed around Leicester followed by dogs. That last one was particularly odd.
Black Agnes has appeared in various modern stories, sometimes as a witch, occasionally as a fairy or a hag. But ultimately she isn’t seen much in stories these days, which is a pity she was a traditionally scary monster, out for blood which seems to be something we see less of these days.
Skogsra are forest spirits found in Scandinavian folklore. Creatures that are female in appearance (at least from the front) and are well known for leading men astray.
Their appearance can change depending on who’s telling the story, consistently through the Skogsra looks like a beautiful woman when seen from the front, from behind she can either have a tail or some say she appears like an old hollow tree.
They can be good or evil, there are stories of them leading people, particularly men, astray in the woods, letting them become lost and never returning. But there are also stories of them favouring hunters and allowing them to experience unprecedented success while hunting.
These whimsical creatures seem to change with the wind.
They have appeared in modern culture in films and books, perhaps most recently in the film Thale. Where two men who run a crime scene cleaning business find a mute girl with a cows tail hidden in the basement of a house they are cleaning. Throughout the film, they learn about her captivity and situation. Towards the end of the film, the authorities (in the form of soldiers) become involved and Thale must escape with the help of the forest. It’s a pretty good film, I certainly enjoyed it as I was not overly familiar with the mythology behind it until researching afterwards. I’d certainly recommend giving it a watch.