Cliches

Cliches: Monsters

Time for a wide range of cliches!

Today I would like to return to one of my favourite topics, Cliches!

As we’ve discussed before cliches can range from phrases to characters, to scenes, and beyond. They are an overused trope and often portray a lack of original thought.

Despite that clearly negative definition, there is a time and place for cliches, particularly around certain characters, as they allow an audience to gain an understanding and expectation very quickly. So, on occasion, a cliché can be a useful tool to impart information quickly. Though it is best used sparingly and if used in relation to characters it should only be applied to very small, very side characters.

With that out of the way, today I want to talk to you about monster cliches!

With monsters being a highlight of the horror genre, certain kinds of monsters have a lot of tropes attached to them. I have already done a few letters on specific monsters, vampires, werewolves, ghosts etc. today I want to talk about a wider range of overused monsters and the even more overused tropes that come with them.

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Cliches, Horror Writing

Cliche: The senses

Monster Cliches

Today I am writing to talk to you about monster cliches.

These three cliches can apply to almost any kind of monster, or a protagonist having to circumvent the monster in question. They are sensory cliches, and they pop up in a lot of horror stories.

Now, like with all cliches I can understand why they are used. Like, character cliches which are used to establish character traits quickly these are used as short cuts. But like character cliches which can work well for background or side characters that you don’t want to spend tons of time developing because you’re basically using them to make a point or be cannon fodder, sensory cliches can work well in small doses.

The sensory cliches are a bit different to character cliches though, while they are used as a short cut the same way character cliches are their shortcut is a shortcut to stakes not personality.

Sensory cliches attached to the protagonist will be used as a way to raise stakes and sensory cliches attached to the monster will be used to lower stakes. As they will always be used to establish a weakness for either the protagonist or the monster to exploit.

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Reviews, Reviews - Books

Review: Salem’s Lot

Vampires in America

Today I am writing to discuss one of my all-time favourite King novels, it also happens to be one of his favourites as well. I am, of course, talking about Salem’s Lot.

King’s take on vampires was published in October 1975 by Doubleday and has since been made into an illustrated book, an audio book, a radio drama, and a film/ two-part television miniseries. There was a sequel film, Return to Salem’s Lot, the town was mentioned in the Castle Rock series and lastly, after the success of IT, the two-part miniseries has also been earmarked for a remake, though no release date has been announced, it only got its director in April 2020.

All that aside, this review will focus on the book, released in 1975. Spoilers ahead!

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