Gothic Horror at its finest
Today I want to share with you a podcast put out by the National Centre for Writing, which is a Literature House in Norwich, the UK’s first UNESCO city of Literature and commonly known as the City of Stories.
I am a volunteer at the National Centre for Writing and really believe in its mission and the opportunities it affords people.
They also run the Writing Life Podcast, in the episode I’m sharing with you today author Heather Parry discusses writing the grotesque body and reimagining gothic tropes.
Below is a link to the full podcast catalogue.
New year, new writing goals: Julia Crouch on getting started, finding inspiration, and writing what excites – The Writing Life
In this episode of The Writing Life Podcast, crime writer and NCW tutor Julia Crouch welcomes the New Year with us and shares her advice and encouragement for the writing year ahead.
Julia is the author of ten internationally published crime novels, including Cuckoo, Tarnished, The Long Fall, and Her Husband’s Lover. Unable to find a sub-genre of crime writing that neatly described her work, she came up with the term Domestic Noir, which is now widely accepted as the label for one of the most popular crime genres today.
Julia has been a Visiting Fellow on the UEA MA Creative Writing Crime Fiction and teaches online for Faber Academy and the National Centre for Writing. She co-runs the Brighton Crime Wave, a bi-monthly crime fiction night.
She sat down with NCW’s Holly Ainley to discuss the different ways to be a writer, and to share her advice for getting started and staying motivated. Together, they discuss the benefits of cultivating a daily writing habit, finding inspiration in unexpected places, and being kind to yourself in the pursuit of your goals.
Get a head start on your writing goals with NCW Academy, the home for creative writers. You can find out more about our workshops, courses, free resources, and more at nationalcentreforwriting.org.uk/academy.
- New year, new writing goals: Julia Crouch on getting started, finding inspiration, and writing what excites
- Writing festive thrillers: Nicola Upson on The Christmas Clue
- What is ‘experimental fiction’?: Clara Chow on travelling, writing about taboo subjects, and having fun
- Writing grief and the body: Lisabelle Tay & Heather Parry in conversation with Yan Ge
- Writing flawed characters: Sarah Moss on Ripeness
KATIE MARIE 
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