Writing the grotesque body with Heather Parry

Blog Header: Katie Marie Recommends Image: a Thumbs up

Gothic Horror at its finest

Today I want to share with you a podcast put out by the National Centre for Writing, which is a Literature House in Norwich, the UK’s first UNESCO city of Literature and commonly known as the City of Stories.

I am a volunteer at the National Centre for Writing and really believe in its mission and the opportunities it affords people.

They also run the Writing Life Podcast, in the episode I’m sharing with you today author Heather Parry discusses writing the grotesque body and reimagining gothic tropes.

Below is a link to the full podcast catalogue.

From mentorship to literary translation: Polly Barton & Charlotte Goff on translating Nao-Cola Yamazaki’s works The Writing Life

In this episode of The Writing Life Podcast, Polly Barton andCharlotte Goff discuss their paths into literary translation and their experience translating Nao-Cola Yamazaki’s novels from Japanese into English.   Polly Barton is a writer and literary translator from Japanese into English. Her translations include Butter by Asako Yuzuki, Hunchback by Saou Ichikawa, Where the Wild Ladies Are by Aoko Matsuda and There’s No Such Thing as an Easy Job by Kikuko Tsumura. Her debut novel, What Am I, A Deer?, was published in April 2026. Her most recent translation is Don't Laugh at Other People's Sex Lives by Nao-Cola Yamazaki.   Charlotte Goff is an Edinburgh-based Japanese-English literary translator. Her first translations are Nao-Cola Yamazaki’s Beautiful Distance (Daunt, Zando 2026) and Aya Koda’s Tree (Penguin 2026). Charlotte was selected for one of the National Centre for Writing’s 2024 Emerging Translator Mentorships, which involved six months’ mentoring by Polly Barton.   They sat down with NCW’s Rebecca DeWald to reflect on their journey from working together on the Emerging Translator Mentorship programme to translating books from the same author. They also explore translating books written from the male perspective, balancing staying faithful to the original text with interpretive freedom, and learning to trust yourself as a literary translator.
  1. From mentorship to literary translation: Polly Barton & Charlotte Goff on translating Nao-Cola Yamazaki’s works
  2. The spirit of place: Laurence Mitchell on Flint Country
  3. Back to basics: Sarah L. Kaufman on Verb Your Enthusiasm
  4. The world of self-publishing: Pip Landers-Letts on Pyg
  5. Writing relationships: Jem Calder on I Want You to Be Happy

I’d love to hear what you think, please comment below.